“I am having a more active participation because almost all the issues in my life cross me, since 2011 we have been working.”
“Today, artists and journalists are the ones who reach people directly, and that is the reason why they attack us so much.”
“There is a bit of that imprint of my old man, I come from a family crossed by the left, by the rights, my mother taught literacy in the villages and my old man was a soldier. Both on and off stage I have an empathetic gaze.”
“Today I have retired parents, I have a daughter with two disabilities, I am a woman and an artist, I feel a little attacked. I am privileged, but if I don’t say something who is going to say it? I try to think that I can communicate something, although not from a partisan space.”
“The absence of fiction is very clear but the answer the public gives us is because the work [Las hijas, con Soledad Villamil y Pilar Gamboa] It’s very good, but the topic of what happens with the end of life? “It responds to a need to connect with the depth of the subject.”
“It is very moving for me to see that the room is filled; and the presence of those bodies in the front row, what they tell us makes me tender. And that is being attacked.”
“I have the benefit of being able to work in the maistream. I really want to make films, when they call me, I choose. I feel like I come from both sides and have the luxury of being able to do both things.”
“I’ve been taking singing classes for many years, I’ve been flirting with it, I’ve been writing my songs. I did a musical, and whenever I could I participated with a friend. I learned about Diego Presa’s music and we released our first album ‘El Reverse de la Sombra’.”
Source: www.laizquierdadiario.com
